Nuestra Mesa is a collaboration between Studioful Design, Chelsea Prospers, the City of Chelsea's program for downtown and public art, headed by Mimi Graney, and ten local artists (nine painters and one metal artist). Check out the Chelsea Prospers website for many more public art + civic projects!
Nuestra Mesa was born of necessity: the Covid-19 pandemic necessitated we stop the project we had in mind for Chelsea Square (a participatory design and build living room for the plaza created of found furniture); the pandemic also necessitated we create a project in response to the novel, socially distant way of sharing public space. In addition, we wanted to support the budding outdoor eating starting to emerge as a needed lifeline for the surrounding restaurants - and a needed connection for residents to the outdoors, and each other.
We also still wanted to support the local artists at all levels of their career, with a focus on emerging artists; we aimed to help build relationships, provide opportunity for artists to connect to their city, increase artists’ capacity for further community involvement, and provide financial compensation. We wanted participation that was connected and meaningful, yet safe.
To add to this context is the fact that Chelsea was one of the centers of the COVID-19 outbreak in Massachusetts.
We worked to create a conceptual framework for the project bringing together these discrete needs: a public art project to bring people together while keeping them safely apart, a participatory project where the participants work remotely, and a project acknowledging the collective trauma of a still-ongoing pandemic, while reminding us all of our resilience.
As we pondered creating a framework for this community art, we had conversations about the issues surfaced by the pandemic. One was the issue of public mourning, and how in the United States, public mourning is often suppressed. With so many Chelsea residents from Latin American cultures that integrate death as a present part of life we sought to use this openness to vulnerability as a foundation. Our research led us to create space for nine murals on nine tables to illustrate the “nine days of mourning” familiar to many cultures as a way to slow down and reflect on this moment in time.
We were especially inspired by the Dominican tradition where “these nine days consist of 3 days of grieving (crying and reminiscing), 3 days of silence (thinking and reverence) and 3 days for release (accepting and separating).”
We created a palette of colors and symbols to weave together these themes of mourning across nine tables with two chairs each designed to follow the circular body of Chelsea Square fountain – a place to bring food form a local restaurant and eat, a place to speak with a friend, to enjoy the water’s mist on a hot day, or just to reminisce. We also designed integrated table and chair sets that would showcase these artworks – and be the literal frames for their display. Each table-set includes the distinct symbol from one of the nine days of mourning. We collaborated here with the talented Scott Lanes who made the tables and improved our design in the process.
We gathered nine artists to interpret each symbol and color in their own individual works as we all process the experiences of our lives individually, and yet the color and symbol palette gather these expressions together, as we also process these experiences collectively. We further developed the project to include the seats as part of the murals that either look backward to the day (symbol) that still lingers, and forward to the day (symbol) that is not yet here.
Artist Bios
We are so happy to showcase the talents of these thoughtful artists, local to Chelsea and the North Shore, but diverse in age, experience, background, and artistic interest. Please click on each photos to link to more of their work! (Note: not all artists have a web presence, so head down to Chelsea Square to see these in the original!)
Due to the nature of social distancing, not all artists were able to join us for portraits. All photos by Katy Rogers.